简介：著名糖果商威利·旺克（吉恩·怀尔德 Gene Wilder 饰）发布了一条让世界震动的喜信，他将遴选五名荣幸儿参不雅本身的糖果厂，此中一人将成为毕生享用“旺克巧克力”特权的人。出身贫寒的小男孩查理·毕奇（彼得·奥斯图姆 Peter Ostrum 饰）荣幸的成了第五位人选。从小吃不到糖果的查理欣喜若狂，满怀等候的他带上了本身的爷爷乔（杰克·艾伯森 Jack Albertson 饰），开端了这段甜蜜的奇异之旅。而一名险恶的陌生人正在勾引孩子们，谁能为他偷来糖果，就会让谁富有起来。旺克带领孩子们畅游着奇异的糖果厂，但是面对糖果的诱惑，其他四个孩子都持续不断的不见了，最后只剩下查理和他的爷爷乔。本片按照罗尔德·达尔的同名小说改编而成，荣获英国第四频道评选的“最优良的家庭电影”第八名。
简介：《银河探险》是一套二十年前讲述太空NSEA庇护者故事的电视科幻剧集，1982年停播，接近二十年后，扮演批示官的贾森（蒂姆•艾伦 Tim Allen 饰），扮演博士的亚历山大年夜（艾伦•瑞克曼 Alan Rickman 饰），以合格温（西格妮•韦弗 Sigourney Weaver 饰）等几位演员再度聚会，插手一系列粉丝碰头会和贸易勾当。期间，一群自称塞米安人的怪诞粉丝跟从贾森到他的家里，怠倦的贾森发现这群塞米安人并不是疯狂粉丝，而是真实的外星人！没有棍骗能力的塞米安人在收看《银河探险》后觉得贾森等人是真实的太空英雄，他们在和宇宙恶徒萨里斯的对决中节节溃退，因而远赴地球寻求庇护者们的帮忙，贾森和亚历山大年夜等船员假戏真做，帮忙塞米安人匹敌宇宙险恶权势……
简介：1976年，美国弗吉尼亚州。担负中学教员的诺玛（卡梅隆·迪亚茨 Cameron Diaz 饰）和在NASA供职的丈夫亚瑟（詹姆斯·麦斯登 James Marsden 饰）过着幸福的生活，他们的事业小有成绩，衣食无忧，唯一的不足则是儿子沃尔特（Sam Oz Stone 饰）身染沉痾，健康每况愈下。随着岁月的流逝，儿子的病情不竭加重，佳耦俩渐渐没法承担这巨额的医疗用度。某个凌晨，一辆神秘的玄色轿车在诺玛家的门口留下一个带有红色按钮的盒子。不久，一名脸上留着可骇伤疤的汉子造访了诺玛。他传播鼓吹这是一个能为所有者带来幸福的盒子，每按一次，便有巨大年夜的财富入账，与之对应世上就会有或人死去。一方是儿子的巨额医疗费，一方是无辜者的人命，诺玛佳耦将会如何选择？
简介：Matt and Kate buy an isolated house. While moving, they discover a strange room that grants them an unlimited number of material wishes. But, since Kate has had two miscarriages, what they miss the most is a child.
简介：After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
简介：One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .